10,792 Free Artworks of Pen And Black Ink

metropolitan museum of artblack chalkpen and brown inkdrawings in the metropolitan museum of artpaperyale center for british artstatens museum for kunstromanticism,fairy paintingwilliam blakeetching print
The Meeting of Antony and Cleopatra, Giovanni Battista Tiepolo, mid 1740s
drawings in the national gallery of art (washington, d.c.)rococo,baroque
Winged Putto Crowning a Seated Woman Who Looks to the Left, Giovanni Battista Tiepolo, between 1696 and 1770
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
A Stag and Four Hinds on a Grassy Knoll (with Base), Giovanni Domenico Tiepolo, after 1770
drawings by giovanni domenico tiepolo in the metropolitan museum of artdrawings in the robert lehman collection (metropolitan museum of art)
Head of serious young man, 3/4 profile to right, Johan Lundbye, 1842
drawings by johan thomas lundbye in the statens museum for kunstrealism
A Bull Lying Down, and Two Donkeys, in a Landscape, Giovanni Domenico Tiepolo, circa 1760–61
drawings by giovanni domenico tiepolo in the metropolitan museum of artdrawings in the robert lehman collection (metropolitan museum of art)
Drawing, Eagle and Snake, ca. 1805, circa 1805
drawings from italy in the cooper–hewitt, smithsonian design museum - animalspiancastelli fund in the cooper–hewitt, smithsonian design museum
A River God and Other Figures on a Parapet, Giovanni Battista Tiepolo, circa 1740
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
A Boar, Galloping to the Left, and a Sleeping Sow (on the Base), Giovanni Domenico Tiepolo
drawings by giovanni domenico tiepolo in the metropolitan museum of artdrawings in the robert lehman collection (metropolitan museum of art)
St. Peter in front of Emperor Nero and St. Peter's Crucifixion, Master of the Aachen Altar
drawings by meister des aachener altars in the statens museum for kunstpen and brown ink over black chalk
Landscape with forest, in the foreground t.v. an oak tree. Below: The edge of a forest, Dankvart Dreyer
drawings by dankvart dreyer in the statens museum for kunstdanish golden age
Drawing, Design for a Monochrome Wall Painting, Church of Corpus Domini, Bologna, Italy, Death of St. Caterina Vigri, 1687–94, Catherine of Bologna, 1687–94
drawings from italy in the cooper–hewitt, smithsonian design museumdrawings in the cooper–hewitt, smithsonian design museum
Heuvellandschap, RP-T-1942-59, Pieter de Goeje, between 1789 and 1859
landscape drawings in the rijksmuseum amsterdampieter de goeje
Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67, Giuseppe Arcimboldo, 1564–65
giuseppe arcimboldomannerism
Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67, Giuseppe Arcimboldo, 1564–65
giuseppe arcimboldomannerism
Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67, Giuseppe Arcimboldo, 1564–65
giuseppe arcimboldomannerism
Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67, Giuseppe Arcimboldo, 1564–65
giuseppe arcimboldomannerism
Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67, Giuseppe Arcimboldo, 1564–65
giuseppe arcimboldomannerism
Design for a sepulchral monument with a seated female figure; verso: Design for a statue of a standing male figure and fragment of a letter, Pieter Verbrugghen the Younger
drawings in the metropolitan museum of artdrawings by pieter verbrugghen ii
Design for a sepulchral monument with a seated female figure; verso: Design for a statue of a standing male figure and fragment of a letter, Pieter Verbrugghen the Younger
drawings in the metropolitan museum of artdrawings by pieter verbrugghen ii
Illustration for St. St. Bleachers: "Mowns". The carpenter at the coffin; f.o.t.h: the bride is adorned; f.n.t.: tree and butterfly, Hans Smidth, 1886
drawings by hans smidth in the statens museum for kunstblack ink
Drawing, Saint Peter's Church, Alb, ca. 1870, Edward Burne-Jones, circa 1870
pre-raphaelite brotherhood,symbolismdrawings by edward burne-jones
Mirabeau gives King Frederik II, sitting in a forest between bivouacing soldiers, a document with the "human rights", Nicolai Abildgaard
drawings by nicolai abraham abildgaard in the statens museum for kunstmarker
Cartouches Modernes orné avec des [diferentes Figures] (Plate VI-1 from the set), Johann Esaias Nilson
prints in the national gallery of art (washington, d.c.)johannes esaias nilson
The back of the now destroyed house in Nørregade no. 15 in Odense. An enthroned king with scepter and sword, Dankvart Dreyer, 1844
drawings by dankvart dreyer in the statens museum for kunstdanish golden age
Peter, who is on his way to the temple with John, heals a lamb, Maarten van Heemskerck, 1556
drawings by maarten van heemskerck in the statens museum for kunstmannerism
Not used illustration for St. St. Bleachers: "Mowns". F.o.: the bride is decorated; f.n.: the carpenter at the coffin, Hans Smidth, 1886
drawings by hans smidth in the statens museum for kunstblack ink
Drawing, "Armor of 1440; Best Epoch", 1887, Edwin Blashfield
drawings in the cooper–hewitt, smithsonian design museumedwin blashfield
Stuedekoration, Arnold Wallick
paintings by aron wallick in the statens museum for kunstblack ink and watercolor
Design for a sepulchral monument with Mary Magdalen and Saint Jerome; verso: Sketch (counterproof) and writing exercises, Pieter Verbrugghen the Younger
drawings in the metropolitan museum of artdrawings by pieter verbrugghen ii
Agnus dei (John the Baptist left and Christ as the Good Shepherd right), Maarten van Heemskerck, 1549
drawings by maarten van heemskerck in the statens museum for kunstmannerism
Design for the Obelisk of St. Dominic, Piazza San Domenico Maggiore, Naples, Domenico Antonio Vaccaro, ca. 1737
collections of the cooper hewitt, smithsonian design museumnaples in art
Design for a sepulchral monument with Mary Magdalen and Saint Jerome; verso: Sketch (counterproof) and writing exercises, Pieter Verbrugghen the Younger
drawings in the metropolitan museum of artdrawings by pieter verbrugghen ii
The state clerk Sjafan reads from the law book to King Josias, who tears his clothes, Maarten van Heemskerck, 1569
drawings by maarten van heemskerck in the statens museum for kunstmannerism
Illustration draft for H.C. Andersen, "The Fast Runners" and "What Fatter Does is Always the Right Thing", Lorenz Frølich, 1866
drawings by lorenz frølich in the statens museum for kunstpen and black ink
Various studies. F.o.t.v. a man with a spade, f.o.t.h. a harnessed horse, f.n.t. a seated man with a wicker cage of birds, Johan Lundbye, 1845
drawings by johan thomas lundbye in the statens museum for kunstrealism
Some logs and a pig in front of a barn gate, upper right study of a seated farmer, Johan Lundbye, 1847
drawings by johan thomas lundbye in the statens museum for kunstrealism
Lion Hunt, Peter Paul Rubens
drawings by peter paul rubens in the national gallery of art (washington, d.c.)flemish baroque painting,baroque
Philip, Peter and John impart the Holy Spirit to the baptized men and women of Samaria through the laying on of hands, Maarten van Heemskerck, 1572
drawings by maarten van heemskerck in the statens museum for kunstmannerism
Illustration for St. St. Bleachers: "Mowns". F.o.: Mowns reclining; f.n.: bullock cart with the coffin, Hans Smidth, 1886
drawings by hans smidth in the statens museum for kunstblack ink
Drawing, Design for a Confident, ca. 1780, Richard de Lalonde, circa 1780
furniture drawings in the cooper–hewitt, smithsonian design museumartworks of france in the cooper–hewitt, smithsonian design museum
Historical Costumes, Luis Paret y Alcázar, 1780
drawings in the national gallery of art (washington, d.c.)drawings by luis paret y alcázar
Two Kings and a Woman Leaving an Elaborate Palace, Jan Gossaert, 1503/1508
drawings in the national gallery of art (washington, d.c.)drawings by jan gossaert
The Fight in the Forest, c. 1500/1503
drawings by hans burgkmair d. ä. in the national gallery of art (washington, d.c.)drawings in the national gallery of art (washington, d.c.)
Project for the Riding-School of the Horse Guards in Saint Petersburg - Elevation of the Side Entrance, Giacomo Quarenghi, between 1744 and 1817
drawings by giacomo quarenghiclassicism
Sketchbook Folio, The Facade of Modena Cath, Felice Giani
drawings by felice giani in the cooper–hewitt, smithsonian design museumblack chalk
Design for a Scene in de Laujon's "L'Amoureux de quinze ans, ou la Double-Fête...", Hubert-François Gravelot, circa 1771
drawings by hubert-françois gravelotrococo
Design for a Bucket-Like Vessel with a Handle of Non-Figural Interlaces, on a Body Adorned with a River God and Two Putti., Girolamo Genga, 1540–50
high renaissancegirolamo genga
Design for a Bucket-Like Vessel with a Handle of Non-Figural Interlaces, on a Body Adorned with a River God and Two Putti., Girolamo Genga, 1540–50
high renaissancegirolamo genga
The Dirty Bride or The Wedding of Mopsus and Nisa, Pieter Brueghel the Elder, circa 1566
dutch and flemish renaissance painting,northern renaissancewoodcuts by pieter bruegel the elder
Songs of Innocence and of Experience, Plate 45, "The Garden of Love" (Bentley 44), William Blake, 1789 to 1794
songs of innocence and experience - copy lromanticism,fairy painting
Design for a Scene in de Laujon's "L'Amoureux de quinze ans, ou la Double-Fête...", Hubert-François Gravelot, circa 1771
drawings by hubert-françois gravelotrococo
Drawing, Standing Bishop, ca. 1620, Belisario Corenzio, circa 1620
drawings in the cooper–hewitt, smithsonian design museumbelisario corenzio
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College.", William Blake, between 1797 and 1798
william blake's illustrations to thomas gray's poemsromanticism,fairy painting
Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33), William Blake, 1789 to 1794
songs of innocence and experience - copy lromanticism,fairy painting
Design for a Bucket-Like Vessel with a Handle of Two Interlaced Captives, on a Body Adorned with a Scroll, Garland, and a Spout with a Satyr's Head., Girolamo Genga, 1540–50
high renaissancegirolamo genga
Songs of Innocence and of Experience, Plate 48, "The Sick Rose" (Bentley 39), William Blake, 1789 to 1794
songs of innocence and experience - copy lromanticism,fairy painting
Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear....", William Blake, 1804 to 1820
jerusalem the emanation of the giant albion - copy e - google art projectromanticism,fairy painting
Songs of Innocence and of Experience, Plate 25, "The Voice of the Ancient Bard" (Bentley 54), William Blake, 1789 to 1794
songs of experience - the voice of the ancient bardromanticism,fairy painting
Design for a Bucket-Like Vessel with a Handle of Two Interlaced Captives, on a Body Adorned with a Scroll, Garland, and a Spout with a Satyr's Head., Girolamo Genga, 1540–50
high renaissancegirolamo genga
The Carrying of the Cross, Giovanni Battista Piranesi, 1747
drawings in the national gallery of art (washington, d.c.)neoclassicism
Songs of Innocence and of Experience, Plate 28, "On Anothers Sorrow" (Bentley 27), William Blake, 1789 to 1794
songs of innocence and experience - copy lromanticism,fairy painting
Songs of Innocence and of Experience, Plate 43, "The Little Vagabond, " (Bentley 45), William Blake, 1789 to 1794
songs of innocence and experience - copy lromanticism,fairy painting
Songs of Innocence and of Experience, Plate 39, "Infant Sorrow" (Bentley 48), William Blake, 1789 to 1794
songs of innocence and experience - copy lromanticism,fairy painting
`Sketches of Mares and Foals' - an illustrated letter addressed to J. S. Barry, Esq., and dated Aug. 11, 1800, Francis Sartorius
drawings in the yale center for british artfrancis sartorius (the elder)
Girl riding a donkey, in the process of beating it with the reins, Johan Lundbye, 1846
drawings by johan thomas lundbye in the statens museum for kunstrealism
God Enthroned Surrounded by Saints, Giovanni Battista Trotti, possibly 1585/1590
drawings in the national gallery of art (washington, d.c.)drawings by giovanni battista trotti
Songs of Innocence and of Experience, Plate 44, "The Human Abstract" (Bentley 47), William Blake, 1789 to 1794
songs of innocence and experience - copy lromanticism,fairy painting
Seated Female Figure Holding a Book and a Scroll (?), Stefano da Verona
drawings in the robert lehman collection (metropolitan museum of art)veronese school
Saint Jerome in the Desert Listening to the Angels, Giovanni Battista Tiepolo, circa 1732
drawings in the national gallery of art (washington, d.c.)rococo,baroque
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College.", William Blake, between 1797 and 1798
william blake's illustrations to thomas gray's poemsromanticism,fairy painting
The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat.", William Blake, between 1797 and 1798
william blake's illustrations to thomas gray's poemsromanticism,fairy painting
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College.", William Blake, between 1797 and 1798
william blake's illustrations to thomas gray's poemsromanticism,fairy painting
Songs of Innocence and of Experience, Plate 32, "Earth's Answer" (Bentley 31), William Blake, 1789 to 1794
songs of innocence and experience - copy lromanticism,fairy painting
Songs of Innocence and of Experience, Plate 27, "The Divine Image" (Bentley 18), William Blake, between 1789 and 1794
songs of innocence - divine imageromanticism,fairy painting
Jerusalem, Plate 19, "His children exil'd from his breast....", William Blake, 1804 to 1820
jerusalem the emanation of the giant albion - copy e - google art projectromanticism,fairy painting
Songs of Innocence and of Experience, Plate 54, "The School Boy" (Bentley 53), William Blake, 1789 to 1794
songs of innocence and experience - copy lromanticism,fairy painting
Seated Female Figure Holding a Book and a Scroll (?), Stefano da Verona
drawings in the robert lehman collection (metropolitan museum of art)veronese school
God the Father Seated in Clouds Surrounded by Angels and Putti, Giovanni Domenico Tiepolo, 1753/1759
drawings in the national gallery of art (washington, d.c.)drawings by giovanni domenico tiepolo
Design for a Silver Vessel with Scenes from the Passion of Christ, Paulus van Vianen, circa 1600
department of drawings and prints, metropolitan museum of artdrawings by paulus van vianen
The Martyrdom of Saint Sebastian (recto); Bearded Old Man Blessing Seen in Half-length (verso), Francesco Allegrini da Gubbio, 1624–63
religious drawings in the metropolitan museum of artfrancesco allegrini da gubbio
The Martyrdom of Saint Sebastian (recto); Bearded Old Man Blessing Seen in Half-length (verso), Francesco Allegrini da Gubbio, 1624–63
religious drawings in the metropolitan museum of artfrancesco allegrini da gubbio
The Martyrdom of Saint Sebastian (recto); Bearded Old Man Blessing Seen in Half-length (verso), Francesco Allegrini da Gubbio, 1624–63
religious drawings in the metropolitan museum of artfrancesco allegrini da gubbio
The Martyrdom of Saint Sebastian (recto); Bearded Old Man Blessing Seen in Half-length (verso), Francesco Allegrini da Gubbio, 1624–63
religious drawings in the metropolitan museum of artfrancesco allegrini da gubbio
Caricature of a Man in a Long Cloak, Standing in Profile to the Left, Giovanni Battista Tiepolo, circa 1760
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
Caricature of a Man Seen from Behind, Giovanni Battista Tiepolo, circa 1760
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
Caricature of a Man Holding a Tricorne, Seen from Behind, Giovanni Battista Tiepolo, circa 1760
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
Caricature of a Fat Man, Seen From Behind, Giovanni Battista Tiepolo, circa 1760
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
Caricature of a Man Holding a Tricorne, Seen from Behind, Giovanni Battista Tiepolo, circa 1760
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
Caricature of a Person in a Voluminous Gown, Seen from Behind, Giovanni Battista Tiepolo, circa 1760
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
De kudde, RP-T-2015-47, Paulus Potter, 1641
drawings by paulus potterbaroque,delft school
Drawing, Apollo and Daphne, 1796–98, Felice Giani, 1796–98
drawings by felice giani in the cooper–hewitt, smithsonian design museumbrush and watercolor
Half Elevation and Half Plan for a Catafalque for Maximilian, Elector of Bavaria, probably Maximilian II Emanuel (1662-1726), Giuseppe Galli da Bibbiena, between 1696 and 1756
drawings in the metropolitan museum of artgiuseppe galli da bibiena
Design for the Frame of a Funerary Plaque with the Coat of Arms of Roger II de Saint Lary, Duc de Bellegarde, Étienne Martellange, circa 1619–30
department of drawings and prints, metropolitan museum of artétienne martellange
Design for the Frame of a Funerary Plaque with the Coat of Arms of Roger II de Saint Lary, Duc de Bellegarde, Étienne Martellange, circa 1619–30
department of drawings and prints, metropolitan museum of artétienne martellange
Design for the Frame of a Funerary Plaque with the Coat of Arms of Roger II de Saint Lary, Duc de Bellegarde, Étienne Martellange, circa 1619–30
department of drawings and prints, metropolitan museum of artétienne martellange
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso)., Marco Angolo del Moro, 1537–86
drawings in the metropolitan museum of artmarco angolo del moro
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso)., Marco Angolo del Moro, 1537–86
drawings in the metropolitan museum of artmarco angolo del moro
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso)., Marco Angolo del Moro, 1537–86
drawings in the metropolitan museum of artmarco angolo del moro
A Study for a Frontispiece: The Trinity and Saints surrounding the Sacred Hearts of Christ and the Virgin Mary, a Coastal Landscape Below, Vitus Felix Rigl, 1743–79
religious drawings in the metropolitan museum of artvitus felix rigl
The Grand Canal above the Rialto (recto); A Priest Celebrating Mass and Saint Vincent Ferrer Preaching (verso), Francesco Guardi, 1712–93
drawings by francesco guardi in the metropolitan museum of artrococo
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